![]() But at least hear out why they matter first. If you’re just starting out and need to save as much cash as possible (all this equipment can add up), then you can skip the preamp. I emphasize those differently because most interfaces include a rudimentary preamp that will do the job. To connect your microphone to your recording device, you will need an interface and probably want a preamp. We can’t solve every problem with your room for you, but it’s something to keep in mind. Walls reflect sound, large rooms echo, and if you’re outdoors, wind can blow into your microphone, ruining your audio. The room you’re in: An overlooked aspect of audio recording is controlling for the various audio problems that walls, wind, and objects create.In some cases, you can get an interface that is also a recording device, though there are good reasons why you might not want to go that route. Then again, you’re still probably recording a live performance, so best to include this one anyway. However, it can also include a camera, a stand-alone recorder-or in the case of live performances, no recorder at all, instead sending an audio signal directly to speakers. A recording device: Very often, this device will be your computer.An interface is absolutely necessary if you’re upgrading to pro gear. These generally have mic inputs and gain control knobs, and they supply phantom power, all of which we’ll explain below. ![]() An interface: An audio interface is a stand-alone box that lets you connect microphones to your computer, recording device, or speakers.Interfaces often have built-in preamps, so you can rely on those, but you might want to upgrade in the future. Stand-alone preamps usually do this best and provide the cleanest audio signal, but they can be expensive. A preamp takes the relatively weak audio signal from your microphone and boosts it to usable levels. A preamp: If you’re just starting out, this is probably the place you’re going to skimp for a while.This means the best microphone for podcasting probably won’t be the best one for shooting an indie film. However, pro microphones are often designed to pick up audio in specific patterns or conditions, allowing you to focus on just the sound you want. A good microphone (or several): Most consumer-grade mics that aren’t attached to headsets are for general use.Instead, there’s an entire pipeline of hardware, most of which is necessary, but you can skip a couple steps, which we’ll discuss below. In fact, you should stay away from USB microphones entirely. For most pro gear, you can’t just grab a microphone off the shelf and plug it in. Before we go over specifics, let’s get an overview of what kind of equipment you’ll need.
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